LEVIATHAN

"A GRAVE AND BEAUTIFUL DRAMA, AT ONCE INTIMATE AND ENORMOUS."
A.O. Scott, THE NEW YORK TIMES

"ALL THE DETAIL AND DENSITY OF A GREAT NOVEL - SWEEPING, CURIOUS AND BOLD."
Dave Calhoun, TIME OUT

"ABSOLUTELY FANTASTIC. NOT JUST MASTERFUL BUT HUGELY IMPORTANT."
Oliver Lyttleton, THE PLAYLIST

"ONE OF THE FINEST, IF NOT THE FINEST FILM IN CANNES."
Jake Howell, MOVIE CITY NEWS

"STUNNING."
MIchael Phillips, CHICAGO TRIBUNE

"ASTOUNDING."
Dan Fainaru, SCREENPLAY

"GRADE: A+."
Eric Kohn, INDIEWIRE

"IMPECCABLY MADE."
Kenneth Turan, LOS ANGELES TIMES

A film by Andrey Zvyagintsev

OPENS SELECT CITIES DECEMBER 25, 2014 | COMING SOON TO A THEATER NEAR YOU | Find a Theater

Synopsis

The latest drama from Andrey Zvyagintsev, the acclaimed director of The Return (Venice Film Festival Golden Lion winner and Golden Globe nominee). Kolya (AlexeÏ Serebriakov) lives in a small fishing town near the stunning Barents Sea in Northern Russia. He owns an auto-repair shop that stands right next to the house where he lives with his young wife Lilya (Elena Liadova) and his son Roma (SergueÏ Pokhodaev) from a previous marriage.

The town's corrupt mayor Vadim Shelevyat (Roman Madianov) is determined to take away his business, his house, as well as his land. First the Mayor tries buying off Kolya, but Kolya unflinchingly fights as hard as he can so as not to lose everything he owns including the beauty that has surrounded him from the day he was born. Facing resistance, the mayor starts being more aggressive.....

The Cast

The Filmmakers

  • Directed by
    Andrey Zvyagintsev
  • Screenplay by
    Oleg Negin, Andrey Zvyagintsev
  • Executive Producer
    Ekaterina Marakulina
  • Producers
    Alexander Rodnyansky
    Sergey Melkumov
  • Co-Producer
    Marianna Sardarova
  • Production Manager
    Pavel Gorin
  • Casting
    Elina Ternyaeva
  • Editor
    Anna Mass
  • Make Up
    Galiya Ponomareva
  • Costumes
    Anna Bartuli
  • Sound
    Andrey Dergachev
  • Production Design
    Andrey Ponkratov
  • Cinematography
    Mikhail Krichman
  • Editor
    Anna Mass
  • Cinematographer
    Denis Lenoir
  • Music
    Philip Glass

Andrey Zvyagintsev

Director's Note

When a man feels the tight grip of anxiety in the face of need and uncertainty, when he gets overwhelmed with hazy images of the future, scared for his loved ones, and fearful of death on the prowl, what can he do except give up his freedom and free will, and hand these treasures over willingly to a trustworthy person in exchange for deceptive guarantees of security, social protection, or even of an illusory community?

Thomas Hobbes' outlook on the state is that of a philosopher on man's deal with the devil: he sees it as a monster created by man to prevent "the war of all against all", and by the understandable will to achieve security in exchange for freedom, man's sole true possession.

Just like we are all, from birth, marked by the original sin, we are all born in a "state". The spiritual power of the state over man knows no limit.

The arduous alliance between man and the state has been a theme of life in Russia for quite a long time. But if my film is rooted in the Russian land, it is only because I feel no kinship, no genetic link with anything else. Yet I am deeply convinced that, whatever society each and every one of us lives in, from the most developed to the most archaic, we will all be faced one day with the following alternative: either live as a slave or live as a free man. And if we naively think that there must be a kind of state power that can free us from that choice, we are seriously mistaken. In the life of every man, there comes a time when one is faced with the system, with the "world", and must stand up for his sense of justice, his sense of God on Earth.

It is still possible today to ask these questions to the audience and to find a tragic hero in our land, a "son of God", a character who has been tragic from time immemorial, and this is precisely the reason why my homeland isn't lost yet to me, or to those who have made this film.

- Andrey Zvyagintsev

Biography

Andrei Zvyagintsev was born in 1964 in Novosibirsk, Siberia In 1990, Zvyagintsev graduated from the acting program of the Russian University of Theater Arts (GITIS), where he studied under the tutelage of Evgeny Lazarev. He went on to take part in independent theater productions and had a few bit parts in TV shows and movies. In 2000, he made his debut as a Director with three episodes for REN TV's The Black Room.

In 2003, Zvyagintsev shot his first feature film, The Return, which became the cinema sensation of the year. A debut not only for the Director but for the majority of the crew as well. The Return was nominated for a Golden Globe after winning the Golden Lion and the Lion of the Future for Best Director's Debut at the 60th Venice Film Festival in 2003, with the commendation: "a sublime film about love, loss and coming of age."

His second film, The Banishment, was presented at the 2007 Cannes Film Festival, where the lead, Konstantin Lavronenko, became the first Russian actor ever to receive the Festival's Award, the Palme d'Or for Best Actor.

The international premiere of Zvyagintsev's third film, Elena, took place in 2011 at the 64th Cannes Film Festival, where it was awarded the Special Jury Prize in Un Certain Regard. The film also won the 2010 Sundance / NHK International Filmmakers Award.

His latest film, Leviathan, was selected in the Official Competition of the 67th Cannes Film Festival and won the Palm d'Or for Best Screenplay.

Filmography
  • 2000 | Busido, Obscure, The Choice (short novellas in The Black Room cycle)
  • 2003 | The Return
  • 2007 | The Banishment
  • 2008 | Apocrypha (a short film segment in the New York, I Love You anthology)
  • 2011 | Elena
  • 2014 | Leviathan
Director's Note
Biography
Filmography
  • When a man feels the tight grip of anxiety in the face of need and uncertainty, when he gets overwhelmed with hazy images of the future, scared for his loved ones, and fearful of death on the prowl, what can he do except give up his freedom and free will, and hand these treasures over willingly to a trustworthy person in exchange for deceptive guarantees of security, social protection, or even of an illusory community?

    Thomas Hobbes' outlook on the state is that of a philosopher on man's deal with the devil: he sees it as a monster created by man to prevent "the war of all against all", and by the understandable will to achieve security in exchange for freedom, man's sole true possession.

    Just like we are all, from birth, marked by the original sin, we are all born in a "state". The spiritual power of the state over man knows no limit.

    The arduous alliance between man and the state has been a theme of life in Russia for quite a long time. But if my film is rooted in the Russian land, it is only because I feel no kinship, no genetic link with anything else. Yet I am deeply convinced that, whatever society each and every one of us lives in, from the most developed to the most archaic, we will all be faced one day with the following alternative: either live as a slave or live as a free man. And if we naively think that there must be a kind of state power that can free us from that choice, we are seriously mistaken. In the life of every man, there comes a time when one is faced with the system, with the "world", and must stand up for his sense of justice, his sense of God on Earth.

    It is still possible today to ask these questions to the audience and to find a tragic hero in our land, a "son of God", a character who has been tragic from time immemorial, and this is precisely the reason why my homeland isn't lost yet to me, or to those who have made this film.

    - Andrey Zvyagintsev

  • Andrei Zvyagintsev was born in 1964 in Novosibirsk, Siberia In 1990, Zvyagintsev graduated from the acting program of the Russian University of Theater Arts (GITIS), where he studied under the tutelage of Evgeny Lazarev. He went on to take part in independent theater productions and had a few bit parts in TV shows and movies. In 2000, he made his debut as a Director with three episodes for REN TV's The Black Room.

    In 2003, Zvyagintsev shot his first feature film, The Return, which became the cinema sensation of the year. A debut not only for the Director but for the majority of the crew as well. The Return was nominated for a Golden Globe after winning the Golden Lion and the Lion of the Future for Best Director's Debut at the 60th Venice Film Festival in 2003, with the commendation: "a sublime film about love, loss and coming of age."

    His second film, The Banishment, was presented at the 2007 Cannes Film Festival, where the lead, Konstantin Lavronenko, became the first Russian actor ever to receive the Festival's Award, the Palme d'Or for Best Actor.

    The international premiere of Zvyagintsev's third film, Elena, took place in 2011 at the 64th Cannes Film Festival, where it was awarded the Special Jury Prize in Un Certain Regard. The film also won the 2010 Sundance / NHK International Filmmakers Award.

    His latest film, Leviathan, was selected in the Official Competition of the 67th Cannes Film Festival and won the Palm d'Or for Best Screenplay.

    • 2000 | Busido, Obscure, The Choice (short novellas in The Black Room cycle)
    • 2003 | The Return
    • 2007 | The Banishment
    • 2008 | Apocrypha (a short film segment in the New York, I Love You anthology)
    • 2011 | Elena
    • 2014 | Leviathan

Photo Gallery

Aleksey Serebryakov

Aleksey Serebryakov (Kolya): Russian film and theater actor Aleksey Serebryakov has been acting in films since childhood. He graduated from the Russian University of Theater Arts (1986, under the tutelage of Oleg Tabakov).

Selected Filmography
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Elena Liadova

Elena Liadova (Lilya): After graduating from the M.S. Schepkin Higher Theater School in 2002, Elena Liadova joined the Moscow Young Generation Theater. In 2013, she won the two main Russian film awards, the Golden Eagle and the Nika, in the Best Supporting Actress category, for her role in Andrey Zvyagintsev's Elena. Two years later, she was again awarded the Golden Eagle and the Nika, this time as Best Actress for her role in Alexander Veledinsky's The Geographer Drank His Globe Away.

Selected Filmography
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Vladimir Vdovichenkov

Vladimir Vdovichenkov (Dmitri): Russian film and theater actor Vladimir Vdovichenkov graduated from the Kronstadt Nautical School and served for four years in the Northern and Baltic Fleets. In 1997, he enrolled in the Russian State University of Cinematography to study acting under Georgi Taratorkin. He graduated in 2001. When Vdovichenkov was in his fourth year, director Aleksey Sidorov cast him in one of the main roles in the TV series Law of the Lawless. The role of Phil made Vladimir famous.

Since 2002, he has been a member of the Vakhtangov State Academic Theater Company.

Selected Filmography
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Roman Madianov

Roman Madianov (Vadim Shelevyat): Russian film and theater actor, a three times winner of the Nika Award for Best Supporting Actor. In 1973, he starred in the title role of Georgiy Daneliya's film The Adventures of Huckleberry Finn (based on the novel by Mark Twain). He graduated from the Russian University of Theater Arts (GITIS), playing a part in a thesis production by director Kama Ginkas. He began acting at the Mayakovsky Theater in Moscow while still a student.

Selected Filmography
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Michael Krichman

Michael Krichman (Director of Photography): Russian cinematographer Mikhail Krichman graduated from the Moscow State University of Printing Arts in 1995. He is a recipient of the Best Cinematography Award at the Venice Film Festival (for Silent Souls), as well the Golden Eagle and Nika Awards for Best Cinematography (for Elena).

Selected Filmography
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Alexander Rodnyansky

Alexander Rodnyansky (Producer) has produced more than 30 television series and 40 feature films, in both the auteur and commercial genres.

The "art-house" films produced by Alexander Rodnyansky include such Oscar nominees as Régis Wargnier's Est - Ouest, Nana Dzhordzhadze's A Chef in Love; official selections of the Berlin International Film Festival such as The Sun by Alexander Sokurov, Innocent Saturday by Alexander Mindadze and Jayne Mansfield's Car by Billy Bob Thornton; an opening film of the Venice Film Festival, ¡Vivan las Antipodas!, by Victor Kossakovsky; and Pavel Chukhray's A Driver for Vera, winner of numerous film festivals. In 2011, director Andrey Zvyagintsev and producer Alexander Rodnyansky received dozens of international awards for their film Elena, including the Special Jury Prize in the Un Certain Regard competition program at the Cannes Film Festival. Leviathan, the latest film directed by Andrey Zvyagintsev and produced by Alexander Rodnyansky, is an official selection in the main competition section of the 67th Cannes International Film Festival. The producer's commercial releases include top Russian box office hits such as 9th Company and The Inhabited Island directed by Fyodor Bondarchuk, Piter FM by Oksana Bychkova and The Heat by Rezo Gigineishvili, as well as such international projects as Cloud Atlas by Andy and Lana Wachowski and Tom Tykwer and Devil's Pass by Renny Harlin; Stalingrad by Fyodor Bondarchuk, which became the highest grossing film in Russia in recent history; and Robert Rodriguez's Sin City: A Dame to Kill For.

In 1995, Alexander Rodnyansky founded the first independent Ukrainian TV channel, 1+1, which, under his management, became the leading national television broadcaster. In 2002, Rodnyansky resigned as CEO of 1+1, while remaining its co-owner until 2008, when he sold his shares to CME Group, an American company.

In 2002, Alexander Rodnyansky was appointed head of the CTC television channel. In 2004, he became the CEO of CTC Media, which operates five television channels in three different countries. In 2006, CTC Media went public (on the NASDAQ stock exchange) - the first private Russian company to do so. CTC Media's capitalization increased from USD 40 million when Rodnyansky joined the company to USD 4 billion when he left in 2008.In 2009, Rodnyansky founded his own company, A.R. Films, which includes the largest distribution company in Central and Eastern Europe, A Company Filmed Entertainment (Germany), operating in 29 countries; Russian independent film distributor Cinema Without Frontiers; Russian film production company Non-Stop Production, American film production company A.R. Films U.S.; and the influential Kinotavr Film Festival. A.R. Films manages Syncopate, the fastest growing publisher of online games in the Russian-speaking market.

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Sergey Melkumov

Sergey Melkumov (Producer): Together with Viktor Glukhov and Elena Yatsura, Sergey Melkumov co-founded the Slovo production company in 1992. In 2005, he founded Non-Stop Production. He has produced several dozen films and TV series, including Russia's most popular TV series Lethal Force and the highest rated series, Saboteur. Since 2006, he has taught at the film and TV producing department of the St. Petersburg State University of Film and Television.

Sergey Melkumov's filmography numbers more than 30 feature films and TV series, including 9th Company and The Inhabited Island by Fyodor Bondarchuk, Moving by Filipp Yankovsky, The Goddess by Renata Litvinova, Our Own by Dmitry Meskhiev, Elena by Andrey Zvyagintsev, Devil's Pass by Renny Harlin; and television miniseries Fyodor Dostoevsky and Demons by Vladimir Khotinenko and The White Guard by Sergey Snezhkin (based on the eponymous novel by Mikhail Bulgakov).

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